The Family Heirloom – Part 1

Keyword: Heirloom

Nandini slashed through the dense undergrowth, ripping apart the hammock of weeds that knitted the woods together. The machete’s rough edges—corroded black with years of neglect—made the task harder than it seemed.

With each swing, the pulse beneath her eyelids throbbed a second faster. With each cut, the woods echoed with her heaving breaths; the buzz of honeybees and the songs of mainas fading away into the stillness of the noon air.

Sweat streamed down her face—blinding her momentarily, choking her senses with its acrid taste. The silk shirt clung to her skin like a wet tissue paper. Her tiring nape, aching back and blistering hands made the agony of a hot Indian summer unbearable to her overworked arms.

She wasn’t used to labor in any form or sense of the word. But the thought of her family heirloom, resting at the bottom of the pond, willed her to action.

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Lines across the universe

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Lines across the universe
Intertwine
Those famous lines
That our hands define
They make me yours
They make you mine
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To End or Not to End

How should I start this story? For to tell it, there has to be an ending. And that is the most vexing part. All stories have one. To tie all plots, answer all questions, tell us who ends up with whom. People are lost without them. They consult fortune cookies, i-ching, the stars to jump to the end of the day, their life, just so they know that it all ends well. People were not meant to cope with the great mystery that life is. To most, it is as cruel as the friend who thinks wrapping gifts like a Russian nested doll is the funniest thing ever. To such friends one should say, you’re no Hitchcock. And besides, his “thrill’s in the anticipation” principle only holds true till the coin flips your way.

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On Laughter and Men

Keyword: Laugh

It is said that a man’s disposition can be ascertained by his quickness to laugh. Laugh too soon and you’re a frivolous, eager to please; laugh too long, or too loud, and you’ve got no self-restrain.

Too late a laugh, often a scoff or a grunt, warranties that you are given to brooding, and are altogether too self-absorbed, only re-entering the conversation when a snippet breaks through your musings, or furthers them, with quips that have more than often no bearing on the actual conversation at hand.

No laugh and/or a frown, and you’re either a bore or a fool, too slow-witted to follow the clever retorts, or a snob, who’d rather be in the company of other, more interesting people than this.

But a laugh, full and hearty, that graces magnanimously all who fall in its path, that eases the crinkles in agitated spirits, and that lights the amber within one and all, now that’s different. Its timber, its rise and fall the very symphony of life itself. Its infectious presence a reminder that life’s a merry carnival and we are all here to rejoice.

The bearer of this laugh — sitting upright on a high-back armchair, shoulders thrown back in easy debate over the future of literature and the written word, lit delightfully by a Moroccan lamp stand in the corner, and surrounded by eager ears — could be called charming, good-natured, well-groomed, a lady’s man.

But whether he is a gentleman or a cad, to be taken seriously or dismissed as the season’s new flavor, I cannot tell. Only time could resolve this debate; although good sense, as documented in the novels of which he is such a fan, at once warns us to the folly of trusting such a man. For many lies have slipped past such a welcoming mouth. Many an endearment casually offered without a second thought.

He smiles warmly at me, like I am the only one in the room, and for now, in the absence of better prospects and good company, it is enough to bask in the brightness of this merry man.

 

 

Seven Lives

Keyword: Findings

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Mittenwald, German Alps, 1885

I find him on a train. It is the last one out of town. He is standing next to the exit. Raindrops dancing off his face. My letter clutched to his heart. We kiss and make out before a wistful old lady who has clouded irises, but is well aware of the ways of desperate souls. She plays the violin and speaks of her lover from her youth, unmindful of our hot breath clouding the car’s chilled window panes as another steam train whistles by. We escape our feuding families, our conflicting pasts, but we never make it beyond the fjord.

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The Couch

Keyword: Couch

Oh, that big, fat, white monstrosity! That ugly, bloated mass of foam and springs. It could be the lost art of Leonardo Da Vinci or Raphael or Caravaggio, the way she goes on and on about it. Posting reviews on sites in the middle of the night. Snapping arty, tasteful photos of them for all her friends to enjoy slash envy on Twitter, Facebook, and whatnot. Posing like friends, like long-lost lovers, like a mother dotting on her favorite child.

You may notice that I, her dear beloved husband of two years, is nowhere in the frame. She has disowned me for her new love … this l-shaped mass of fabric that commands attention from all corners of the room, lounging regally, like Uncle Benny, drunk and woozy in his three-piece pinstripe suit and a sharp bow-tie, that happy, stupid, glazed look on his face.

There’s no escaping this thing.

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The Call

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There once lived a woman by the name of Rose, in an old, weather-beaten farmhouse shaped by the hands of the generations past. They had sunk their souls into this ground, and raised not just a cottage, but a garden of herbs, a citrus orchard, and a land that grew from flowers to wheat and rice.

As the sun set each day on the sallow hills at the edge of the village, and on the plains lush green with the season’s crop, where a stream tossed and turned as it made its way to the next village, she stood atop a table rock, under the shade of an oak tree, and waited for the birds to sing. The loose strands of her hair otherwise tied up in an uneven knot gently moved in the soothingly warm summer breeze. The hem of her frock and underskirt, caked with mud from her long walk — from the cottage, through the untended fields, to the table rock view — drifted in the wind with equal ease.

She hadn’t heard the birds sing in years.

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